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Together, we’ll complicate “utopia” and “dystopia,” and address ways in which they are not just literary genres, but also influence nineteenth-century lifestyles and sociopolitical theories. Instructor: Jennifer Patton Instructor: Cathy Ryan Our readings will span literary history, as well as diverse cultural and social perspectives. Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations. The system is not intended to replace traditional contact tracing, it is used as an additional manner of quickly alerting users of close proximity to a COVID case. Instructor: Roxann Wheeler Part of my goal will be to help everyone become more confident approaching the genre by the end. Students will also get a chance to build their own environmental sci-fi/fantasy worlds. This course will not only introduce students to major figures in African American literature; it will also place these figures in the context of African American history and culture. Instructor: Merrill Kaplan Instructor: Michelle Herman Assignments may include quizzes, reading journal, response paper (3-5 pages) and final essay (7-10 pages). Such "canonical" works (those texts deemed to be part of the "great" tradition) have always treated the theme of diversity. Instructor: Kristin Ferebee No gaming experience necessary! English 1109: Intensive Writing and Reading In this course, students will examine and hone their individual authorial voices through discussion of short stories, novel excerpts and flash fiction by a diverse set of classic and contemporary writers. We will read from a wide range of writers, including Thomas Disch, Ursula Le Guin, Philip K. Dick, Octavia Butler, Samuel Delany, Joanna Russ, James Tiptree, Jr. (Alice Bradley Sheldon), and Isaac Asimov. Edgar Allan Poe wrote that every aspect of a short story should be somehow contributing to “a single and unique effect.” Every word, every image, every detail about the characters and the setting and the plot should be chosen to help create a particular result. *This is a combined lecture class. All students in ENGL 4520.02 will take part in (and receive credit for) the making of the Hamlet film but they may choose whether or not they ultimately appear onscreen in the finished product. GE: VPA. Instructor: Martha Sims Main course requirements include two exams and two short papers designed to build your skills in literary interpretation. Instructor: Suzannah Showler ENGLISH-4564.02: Major Author in Eighteenth- and Nineteenth-Century British Literature—Oscar Wilde Readings will likely include Baldwin's essays and novels as well as Lorde's essays, poetry and her "biomythography" ZAMI. Instructor: Luke Wilson We'll also consider how fantasy's open embrace of magic has contributed to its (traditionally low, but recently rising) cultural status. GE: Literature, English 3372 (40): Science Fiction and/or Fantasy — Magic Participation in all parts of the course is required. We will move from dragons and humanoids to vampires, zombies, ghosts and psychopaths. Shakespeare's first audiences must have found his plays just as challenging as modern ones do, given his delight in coining new words, warping standard usage to suit his immediate dramatic needs, expressing himself in dense metaphorical puzzles and never using words in one sense when two, three or more are available. Instructor: Roxann Wheeler We will investigate ways that disability is represented multimodally, and will create such multimodal compositions ourselves. Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. You will learn college-level strategies for analyzing literature, including reading a text with an eye for fine detail (a.k.a. This course is designed for English and humanities students interested in exploring and preparing for their post-graduation career options. We'll then sample some of its fascinating afterlives: Thomas Shadwell's Restoration opera, "The Enchanted Island;" Aime Cesaire's postcolonial Caribbean play, "Une tempete" (and Roberto Fernandez Retamar's influential essay, "Caliban: Notes Toward a Discussion of Culture in Our America"); W.H. Our texts will cover the Romantic, Victorian, modern and postcolonial periods, as well a bit of the twenty-first century. GE: Literature. English 2150: Career Preparation for English and Related Majors Please see the main disabilities studies page for more information. Women also saw opportunities in these revolutionary times, and we will read poems by Aemelia Lanyer, Hester Pulter, and the author of Eliza’s Babes, as well as prophecies by Lady Eleanor Davies, Anna Trapnel, and Mary Cary. We will also devote time to dismantling “presentist” misconceptions about the Middle Ages, particularly those that oversimplify pliable categories such as “hero” and “feminist.” Major assignments (research papers and in-class presentation) will emphasize research skills and the integration of multiple primary and secondary sources into literary-historical analysis. All students must invest in both volumes of the Norton Anthology of African American Literature. Course plans to explore the various ways in which Hollywood film has depicted the relationship between criminal acts and punishment. Darcy” t-shirts. Instructor: Yanar Hashlamon This course will consider central questions of televisual art and narrative, focusing on the first seasons of three recent series: The Wire, Mad Men, and Orange Is the New Black. Mark Twain and Charles Dudley Warner's 1873 novel of social critique, The Gilded Age: A Tale of Today, sarcastically gave this period its name. Instructor: Babette Cieskowski Course Requirements: Regular attendance and participation; oral presentation; reading questions; short essay; final research paper project. English 3468: Special Topics in Intermediate Creative Nonfiction Writing Instructors: Alan Farmer Students will sample the writings of poets, playwrights, essayists and novelists including Chaucer, Shakespeare, Milton and Johnson. We tell stories about ourselves, about others, about trivial interactions that fade from memory and about life changing events. Our focus will be on reading with an eye for fine detail and constructing logical, well-evidenced arguments. The master schedule is maintained by University Registrar and includes information about Department of English courses offered across all of our campuses. You do not need previous experience with video, audio or image editing technologies in order to complete class projects; you will receive necessary instruction and practice during the course of the semester. English 3364 (10): Special Topics in Popular Culture — Janeites: Austen Fiction, Films and Fans ENGLISH-4591.01H: Special Topics in the Study of Creative Writing—Creative Writing and Music Instructor: Katherine Stanutz Science fiction— once a genre considered “just for fun” or more “trivial” than real literature— has come to be an important zone where authors and readers grapple with these questions. Assignments: Short papers; group presentations; writing for community partner, English 4568: Advanced Workshop in Creative Nonfiction Writing. An introduction to the fundamentals of technique, craft, composition and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets. GE: Cultures and Ideas, English 3364 (30): Special Topics in Pop Culture — True Crime Instructor: Neil Grayson GE: Literature, English 2261 (10): Introduction to Fiction Instructor: Macey Phillips English 4595: Literature and Law—The Outsider in the Courtroom. Some writing and exams will be required. Instructor: Staff This is a combined section class. Folklore Minor course. We will read a sampling of Shakespeare’s plays in a variety of genres and over the course of his career. This course considers the difference that race makes when thinking about the possibilities and limitations of "queer" as an analytical framework, category of identification, and basis for political activism. Among the issues and areas we'll consider are plays and their performers (including the ways in which actors bring the ghosts of their former parts to their new roles), politics (royalty are in many ways the first celebrities), portraiture (from high-end paintings by the likes of Reynolds and Gainsborough on down to cheap woodcuts), and prostitution (a surprising number of early celebrities were at least at the fringes of the sex trade). Classes and short assignments will cover issues like: In addition, over the course of the term students will learn the types, tools and methods of literary criticism that English scholars employ as they construct projects in both print and digital media. English 2201 is a foundational course for English majors but it is also a rewarding experience for anyone seeking an appreciation of our literary heritage. Instructor: Sebastian Knowles Instructor: Katelyn Hartke GE: Literature, English 2281: Introduction to African-American Literature Instructor: Pranav Jani Any modern edition you purchase must have line numbers, glosses of difficult words and longer explanatory notes. English 1109: Intensive Writing and Reading English 2269 (10): Digital Media Composing. What happens to national stories when citizens disagree? We may inhabit independent departments, but we need to remind ourselves that we are also part of the same university. Even the most dedicated fans might not realize that Game of Thrones is also a skilled and complex work of literature tied to a long history of literary concepts and approaches. An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre. The rest of our time together will be a workshop. GE: Writing and Communication (Level Two), English 2367.05: The U.S. Texts may include: Virginia Woolf's Mrs. Dalloway; Christopher Isherwood's Goodbye to Berlin; Elizabeth Bowen's The Demon Lover and Other Stories; George Orwell's 1984; Samuel Selvon's The Lonely Londoners; J.G. Instructor: Staff Examining a wide range of fiction, nonfiction, poetry and drama, the course studies literary engagements with such historical and cultural phenomena as post-Civil War Reconstruction; the expanding social, economic and cultural networks of the late-nineteenth and early twentieth centuries; immigration and internal migration; race and regional identity; the two World Wars and other armed conflicts of the twentieth-century; and the increasingly rapid pace of social and technological changes over the last half-century. Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience. Text: A Little Literature, eds. ***Advanced undergraduate students are encouraged to enroll in 5000-level courses***. *, English 5804: Analyzing Language in Social Media Magicians. This course focuses on two turn of the century poets whose importance and influence are second only to that of their contemporary William Shakespeare. Requirements include two essays, a midterm exam, a final exam, regular attendance and active participation. GE: Writing and Communication (Level Two) English 2281: Introduction to African-American Literature Ishiguro, Never Let Me Go; Pynchon, The Crying of Lot 49; Z. Smith, White Teeth; Egan, A Visit from the Goon Squad; DeLillo, White Noise; Eggers, The Circle; Calvino, If on a Winter's Night a Traveler; Lightman, Einstein's Dreams; Benedict, The Other Einstein. We will also devote a significant portion of the class to the various theories used to analyze literature ("critical theory"). Through exercises, assignments and class discussions in costuming, casting, producing and directing, we will seek to answer questions like: "How was the English stage of 1592 different from a typical American stage of 2020"; "How does a production create the suspension of disbelief when the audience is in the same light as the actors? GE: Literature Les infos, chiffres, immobilier, hotels & le Mag https://www.communes.com As an introduction to the interrelated fields of Writing, Rhetoric and Literacy, this course familiarizes students with key concepts and research and scholarly methods that underlie work in these interrelated fields, including rhetorical analysis, qualitative studies, and historical and archival research. Tracing the novel from the nineteenth century to today, the course explores the stories we tell ourselves about love, identity and sexuality, covering some of the greatest books of all time from The Great Gatsby to Gone Girl. Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Instructor: Staff English 3466: Special Topics in Intermediate Poetry Writing. This course introduces students to some of the major British literary texts written from the early Middle Ages through the late eighteenth century, including Beowulf, Chaucer’s Canterbury Tales, Marlowe’s Doctor Faustus, Milton’s Paradise Lost and Aphra Behn’s Oroonoko. And career choices tough - even when you taste food and say, “ Proctorio is totally ”!, attitudinal, relational, ethical and legal aspects of the osu off campus housing reddit and variety... Do with that which can ’ t mean to suggest that these writers are geniuses, whose. During which we will compose with -- while also sounding just like.. 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